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Reviews
Long Day’s Journey Into Night by Eugene O’Neill. Wyndham’s Theatre, Charing Cross Road, London WC2 to 10 June 2024. 4✩✩✩✩ Review: William Russell.
“A very long but rewarding day.”
Photo Credit: Johan Persson.
Sherlock Holmes: The Valley of Fear by Sir Arthur Conan Doyle adapted by Nick Lane. 2✩✩ Review: William Russell.
“The real mystery is why this Conan Doyle novel was made into a play.”
Photo credit: Alex Harvey-Brown.
The Dream of a Ridiculous Man by Fyodor Dostoyevsky adapted by Laurence Boswell. The Marylebone Theatre, 36 Park Road, London NW1 to 30 April 2025. 4✩✩✩✩ Review: William Russell.
“Greg Hicks stunning as the ridiculous man.”
Photo Credit: Mark Senior.
Good Friday St John Passion with Ex Cathedra, Symphony Hall Birmingham, 29 March 2024. 4✩✩✩✩ Review: David Gray & Paul Gray.
“A compelling and atmospheric reading of this mighty work.”
The Divine Mrs S by April De Angelis. Hampstead Theatre, Eton Avenue, Swiss Cottage, London NW3 to 27 April 2024. 4✩✩✩✩ Review: William Russell.
“A sparkling performance from Rachael Stirling in a very funny play.”
Photo Credit: Credit Johan Persson.
Don’t. Make. Tea. by Rob Drummond. The Soho Theatre, 21 Dean Street, London W1 to 06 April 2024 & then on tour. 3✩✩✩ Review: William Russell.
“A chillingly funny look at life on disability benefits.”
Photo Credit: Andy Catlin.
Priscilla the Party. Book by Stephan Elliott & Alan Scott & based on the musical and the film. Outernet, Charing Cross Road, London WC2 to 30 September 2024. 4✩✩✩✩ Review: William Russell.
“Flogging a dead horse and having a ball at the same time.”
Photo Credit: Marc Brenner.
Opening Night. Book by Ivo Van Hove. Music & Lyric by Rufus Wainwright. The Gielgud Theatre, Shaftesbury Avenue, London to 27 July 2024. 1✩ Review: William Russell.
“A mind bogglingly terrible car crash of a show.”
Photo Credit: Jan Versweyveld.
Ben and Imo: Mark Ravenhill Swan Theatre, RSC, Stratford Upon Avon, until 06 April 2024. 23 March 2024 (AD Performance). 5✩✩✩✩✩ Review: Roderick Dungate.
“Totally thrilling.”
Photo Credit: Ellie Kurttz (c) RSC
Sinfonia Viva, Royal Concert Hall, Nottingham, 23 March 2024. 4✩✩✩✩ Review: William Ruff
“A concert memorable for tender restraint and thoughtful intimacy.”
Image: Courtesy of Royal Concert Hall, Nottingham
Foam by Harry McDonald. The Finborough Theatre, 118 Finborough Road, London SW10 to13 April 2024. 3✩✩✩ Review: William Russell.
“Powerful, disturbing, violent and not for the faint hearted.”
Photo Credit: Craig Fuller.
Fauré Requiem, CBSO, Symphony Hall, Birmingham Classical, Birmingham 21 March 2024. 5✩✩✩✩✩ Review: David Gray & Paul Gray.
“A concert including dazzling virtuosity and profound spirituality.”
Photo Credit: Andrew Fox, CBSO, photo of: Alexandre Bloch
Faith Healer by Brian Friel. The Lyric Theatre, King Street, Hammersmith, London W6 to 13 April 2024. 4✩✩✩✩ Review: William Russell.
“A spell binding revival of a very fine play.”
Photo Credit: Marc Brenner.
The Boy at the Back of the Class, Malvern Theatres 19 to 23 March 2024 and UK tour. 4✩✩✩✩ Review: Hannah Phillips.
“A beautiful, heartfelt and hopeful production.”
Photo Credit: Manuel Harlan.
40 Elephants, Barnfield Theatre Exeter 22 February 2024 and tour. 4✩✩✩✩ Review: Cormac Richards.
“Wonderfully refreshing and chock full of entertainment.”
Hanni Liang (piano) Royal Concert Hall, Nottingham17 March 2024. 3✩✩✩ Review: William Ruff.
“Hanni Liang: fine piano-playing - but controversial presentation.”
Indigo Giant, The Door, Birmingham Repertory Theatre, Broad Street, Birmingham B1 2EP. 14, 15, 16 March 2024. 3✩✩✩ Review: Joanna Jarvis.
“A story of the Raj that still resonates today.”
Photo Credit: Alex Unai
The Essence of Audrey by Helen Anker. The Brockley Jack Studio Theatre, 410 Brockley Road, London SE4 to 16 March 2024. 4✩✩✩✩ Review: William Russell.
“Audrey Hepburn brought vividly to life.”
Rossini’s The Barber of Seville, Wilton’s Music Hall, Graces Alley, London E1. 3✩✩✩ Review: Clare Colvin.
“Barber of Seville goes Way out West.”
Photo: Bill Knight.