Email: ReviewsgateReviews@gmail.com
Reviews
A Midsummer Night’s Dream by William Shakespeare – Poltimore House and Gardens, Devon and touring until 3 August. 5☆☆☆☆. Review: Cormac Richards.
“A delight from beginning to end.”
Photo Credit: Paul Smith.
Intimate Apparel by Lynn Nottage, Donmar Warehouse, Earlham Street, London WC2 until 09 August 2025, 4☆☆☆☆. Review: William Russell.
“Samira Wiley shines.”
Photo Credit: Helen Murray.
Marriage Material by Gurpreet Kaur Bhatti. Novel by Sathnam Sangera Birmingham Repertory Theatre, 3☆☆☆. Review: Joanna Jarvis.
“Warm and funny family saga of tradition versus improvement.”
Photo Credit: Helen Murray.
A Touch of Danger by Francis Durbridge, Manor Pavilion Theatre – Sidmouth, until 28 June, 3☆☆☆. Review: Cormac Richards
“Perfect escapism”
Photo Credit: Andrew Beckett.
Showmanism created by Dickie Beau, Hampstead Theatre, Eton Avenue, Swiss Cottage, London NW3 until 12 July 2025. 2☆☆. Review: William Russell.
“Evening like no other.”
Photo Credit: Amanda Searle.
Press by Nathaniel Brimmer-Beller. Brockley Jack Studio theatre, Brocklet Road, London SE4 until 5 July 2025, 4☆☆☆☆. Review: William Russell.
“Entertaining but brief.”
Photo Credit: Black Bat Productions.
Who is Claude Cahun by D.R. Hill. Southwark Playhouse, the Little, London SE1 until 12 July 2025, 2☆☆. Review: William Russell.
“Opportunity missed.”
Photo Credit: Paddy Gormley.
54.60 Africa by Femi Elufowoju Jr. The Arcola, Studio 1, until 12 July 2025, 3☆☆☆. Review: William Russell.
“An exhilarating odyssey.”
Photo Credit: Alex Brenner.
The Last Laugh by Paul Hendy. Richmond Theatre, The Green, Richmond TW9 1QJ until 21 June 2025and then on tour until September, 4☆☆☆☆. Review: William Russell.
“Dead funny.”
Photo Credit: Pamela Raith Photography.
Hamlet, Hail to the Thief: Shakespeare, Radiohead. RSC @ RST, Stratford Upon AvonRuns: 1h 40m, no interval, until 28 June, 5☆☆☆☆☆. Review: Roderick Dungate.
“Fabulously Exciting.”
Photo Credit: Manuel Harlan.
Steel by Lee Mattinson. Park 90, 13 Clifton Terrace, London N4 until 14 June 2025, 4☆☆☆☆. Review: William Russell.
“Lost boys splendidly played.”
Photo Credit: Chris Payne.
Hamstrung by George Rennie. The Glitch, 134 Lower Marsh, London SE1 until 16 June 2025, 4☆☆☆☆. Review: William Russell.
“Yorick's turn.”
Photo Credit: Beatrice Updegraff.
The Croft, written by Ali Milles, Directed by Alastair Whatley, until 14 June, 2025, The Rep, Birmingham (and touring), 3☆☆☆. Review: Dan Auluk.
“An intriguing story but neither thriller or ghost story.”
Photo Credit: Manuel Harlan
Claire Dowie's Swansong. The Finborough Theatre, 118 Finborough Road, London SW10 until 5 July 2025 5☆☆☆☆☆. Review: William Russell.
“Dowie is masterly.”
Photo Credit: Colin Watkeys.
Constellations by Nick Payne, Roborough Studios, Exeter University until 30 May 2025, 4☆☆☆☆. Review Cormac Richards.
“tackled with a deep sense of care and consideration”
Photo Credit: EUTCO
Quadrophenia – The Mod Ballet, Theatre Royal Plymouth, until 31 May and touring, 5☆☆☆☆☆. Review: Cormac Richards.
“This is a slick, fully-rounded and heart-wrenching production.”
Photo Credit: Johan Persson
Hedda Gabler by Henrik Ibsen in a new version by Kyle Goeken. The Etcetera Theatre, 265, Camden High Street, London NW1 until 25 May 2024, 3☆☆☆. Review: William Russell.
“Impressive, slimmed down.”
Photo Credit: Bryony Lock.