Email: ReviewsgateReviews@gmail.com
Reviews
Brahms 2, CBSO, Symphony Hall, Birmingham 10 October 2024, 4✩✩✩✩. Review: David Gray & Paul Gray.
“A thrilling piece by Thomas Adès, contrasting nicely with some more familiar fare.”
Gay Pride and No Prejudice by David Kerby-Kendall. The Union Theatre, 229 Union Street, London until 02 November 2024, 2✩✩. Review: William Russell.
“Missed opportunities galore.”
Photo credit: Lucy Nixon.
La Fille mal gardee, - Birmingham Royal Ballet, Theatre Royal Plymouth to 12 October 2024, 5✩✩✩✩✩. Review: Cormac Richards.
“An utter gem.”
Photo Credit: Tristram Kenton.
Flock by Lin Coghlan. Soho Theatre, Dean Street, London until 02 Nov, 2024, 4✩✩✩✩. Review: William Russell.
“Not to be missed.”
Photo Credit: Lucy Hayes.
Euridice by Sarah Ruhl. Jermyn Street Theatre, 16b Jermyn Street, London until 08 November 2024, 2✩✩. Review: William Russell.
“Ruhl has an off day.”
Photo Credit : Alex Brenner.
Judith Weir’s Blond Eckbert: Double Bill, Hackney Empire then touring; English Touring Opera, 4✩✩✩✩. Review: Clare Colvin.
“Murder will out on a dark and stormy night in the Harz Mountains.”
Photo Credit: Richard Hubert Smith.
Joker: Folie à Deux (2024), Dir Todd Phillips, Warner Bros. Pictures, 3✩✩✩. Review: Matthew Alicoon
“A dramatic tonal contrast that negates fan service.”
The Whistling by Rachel Wagstaff & Duncan Abel, based on the novel by Rebecca Netley. The Mill at Sonning, Reading to 16 November 2024, 3✩✩✩. Review: William Russell.
“Thrills, chills and ghosts.”
Photo Credit: Pamela Raith.
Catrin Finch and Aoife Ní Bhriain. Lakeside, Nottingham. 02 October 2024, 4✩✩✩✩. Review: William Ruff.
"Welsh harp and Irish fiddle conjure myth and magic"
Photo credit: Jennie Caldwell.
BBC Philharmonic Orchestra. Royal Concert Hall, Nottingham. 01 October 2024, 5✩✩✩✩✩. Review: William Ruff.
"Sonic spectacle combined with subtle detail."
Photo credit: Otto Van Den Toorn.
One Small Step byTakuya Kalo. Charing Cross Theatre, Villiers Street, London until 09 October 2024, 1✩. Review: William Russell.
“One small mis-step!”
Photo Credit: Mark Senior.
Look Back in Anger by John Osborne. The Almeida Theatre, Almeida Street, London until 23 November 2024, 3✩✩✩. Review: William Russell.
“Look Back with reservations.”
Photo Credit: Marc Brenner.
Never Let Go (2024), Dir: Alexandre Aja, Lionsgate. 4✩✩✩✩ Review: Matthew Alicoon.
“A horror that relies on your interpretation.”
Janie Dee's Beautiful World of Cabaret, Jermyn Street Theatre, 15b Jermyn Street, London until 28 September 2024 and on tour, 4✩✩✩✩. Review: William Russell.
“Dee delights!”
Giant by Mark Rosenblatt. Jerwood Downstairs, Royal Court Theatre, Sloane Square, London until 16 November 2024, 5✩✩✩✩✩. Review: William Russell.
“Lithgow dominates the evening, all elegant charm…”
Photo credit – Manuel Harlan.
Mozart & Shostakovich, CBSO, Symphony Hall, Birmingham, Wednesday 25 September 2024,4.5✩✩✩✩. Review: David Gray & Paul Gray.
“Some impressive virtuosity and an exciting new work.”
Joyce DiDonato sings Berlioz: London Philharmonic Orchestra/Edward Gardner,Southbank Centre’s Royal Festival Hall, London SE1, 4✩✩✩✩. Review by Clare Colvin.
“Murderous and tragic queens make for a heroic evening.”
Photography: Mark Allan.
Murder on the Orient Express by Agatha Christie, adapted by Ken Ludwig, Theatre Royal Plymouth to 28 September 2024, 4✩✩✩✩. Review: Cormac Richards.
“Very successful and satisfying.”
Photo Credit: Manuel Harlan.
The Queer Motherhood Project by Hannah Phillips Midland Arts Centre (MAC), Cannon Hill Park, B12 9QH, 3✩✩✩. Review: Joanna Jarvis.
“This powerful show gives validation to the experience of queer mothers.”
Photo credit: Nevaeh Graver and Rachel Jones.
The History Boys by Alan Bennett, Theatre Royal Plymouth until 21 September 2024, 3✩✩✩. Review: Cormac Richards.
"Disappointing."
Photo Credit: Marc Brenner.